Filming Schedule

Filming Schedule - This filming schedule shall be updated regularly, depending on changes with the weather and our actors.


18th October 2016: Started filming - basic shots were captured, mainly performance - need more of a narrative and featuring better artsy shots (only about 12 seconds of video)

Because our actor we are using is in high demand from other media groups, and also is not available over the October Half Term, we will have to use another actor - just to capture videos of him walking, or his hands, and then film our original actors face when he is able to. Therefore during the half term, our group shall be filming very landscape type shots, and also the female actress.


23rd October 2016:

On this day, the weather cast says it shall be 'Sunny' all day, therefore it would be the perfect opportunity to gather lots of shots of landscapes, and nature scenes. Also, after this is completed then we can make a start to film the lead actress - as flashbacks from the couples previous relationship. This shall be shot in daylight, and have bright lighting.

25th October 2016: We shall continue to shoot landscape shots (depending on the weather), and also gather up more shots of the lead female. After this has been achieved, we shall start to film our ghost actor  - who will be the role of our main actor (Will Ward). This will happen by us only filming shots of his body and not his face. Then when our main actor is able to film again, we can proceed to film his face and shots of his whole body.

Risk Assessment

Significant Findings of Risk Assessment

Location: Woods, Bourne , Rippingale, Stamford , Aslackby, Dunsby		Assessment Serial No:
Activity: Production - Filming	Carried out by:  George Davison	Date: 14/10/16	Review Date:

 

Hazards	Who might be harmed	Existing controls (Refer to procedures doumented elsewhere where appropriate)	Controls Adequate Y / N	Additional Controls Required
Transport – accident / lost / approached by starngers	Student	·         Students to record on their audit how they are to get to location. Times and locations needed ·         Parents need to be made aware. ·         Mobile phone numbers shared between group and parents. ·         Production schedule identifies times, means of transport, locations.  ·         No students under 18 are to go in the car of another student. ·         With students over 18 both parents need to be aware. Insurance and car worthnessness  need to be guarenteed. ·         If students go with other parents both parents need to be aware.	Y   Y Y   Y   Y   Y     Y	·         Each student will be traveling vial parents. Parents will be made awear they are traveling if anyone travels together ·         All members have eachothers mobile. ·         Group knows where they are to be at set times.  ·         Noone in our group is able to drive.    ·         Noone in our group is able to drive     ·         All parents will be made aware.
Use of equipment (list)		·         Training on equipment use. ·         Security ·         Storage ·         Safety (no guns, daggers, mock drugs, etc) in public – check prop suitability	Y Y Y Y	·         Members are trained in hteir own areas.  ·         Group sticks together and stays on public land ·         Only props include guitars ect. No guns/drugs.
Passerby- nusicance/ concern	Passersby	·         All equipment to be include in production schedule. ·         Any permissions required evidenced. ·         Awareness of outsiders	Y Y Y	·         No unwarented behavious ·         No permision needed when on public land and streets  ·         Keeping our whits about us when outdoors with strangers
Location	Students	·         Trespass ·         Any permissions required evidenced. ·         Safety of location – students to consider safety of buildings, ground,  ·         Consider risk of falls, slips and trips	N Y Y   Y	·         We will not be strepassing to film ·         We will be neer no dangerous  buildings  Ensure correct footware for the environment

 

 

I have read and am content with this risk assesment.

Location Scouting

Location scouting

A lot of our film will be shot outside, on country lanes and in town centres. some of the locations we have chosen include, Dunsby, Rippingale, Bourne center, Stamford centre, Aslackby and Temple woods.

Temple woods

Bourne Centre

Dunsby road

Dunsby fields

Aslackby road 

Rippingale 

Stamford centre

Analysing lyrics

Analysing Lyrics

Storyboard

Storyboard

This is our storyboard, although the artwork is not something to brag about, each picture clearly shows what the shot should contain as well as the composition, framing and a small comment of the shot, action and sound.

Shot List

Media Shot List by Eloise on Scribd

Mise-en-scene choices

Deconstruction of song structure

Deconstruction of Song Structure

Verse 1

Don’t, you leave us in the cold

Cus’ we have nothing left to hope

Cus’ I’m sick of playing bars

Fifty pounds and nothing else

Verse 2

You’re my friend and my surprise

But I will leave you behind

Cus’ you’re not getting,

No you’re not getting anywhere

(1 bar of instrumental – drums kick in)

Chorus

And when I look for guidance

All I see is a shadow of you

We don’t work for nothing

So what’s the point in working at all?

I will make it happen

With or without you

So if you’re not in it then,

You can jump overboard

(4 bars of instrumental – drums kick in)

Verse 3

Don’t let things slide down

Cus’ we’ve got a good thing going on

And I will try my best, but sometimes it’s not enough

Verse 4

And I can feel your passion fade

 The flicker’s simmer and dies down

But you’re not worthy, no you’re not worthy anymore

Chorus

And when I look for guidance

All I see is a shadow of you

We don’t work for nothing

So what’s the point in working at all?

I will make it happen

With or without you

So if you’re not in it then,

You can jump overboard

(4 bars of instrumental – drums kick in)

Bridge

Cus’ success is a fickle thing

You need to taste it to want it more

And redemption is all you want

And only you can settle the score

(2 bars of instrumental)

Chorus

And when I look for guidance

All I see is a shadow of you

We don’t work for nothing

So what’s the point in working at all?

I will make it happen

With or without you

So if you’re not in it then,

You can jump overboard

So if you’re not in it then,

You can jump overboard

And if you’re not in it then,

You can jump overboard